The New York Times’ Notable Fiction Books of 2024

The Book of Love showcases Kelly Link at the height of her powers, channeling potent magic and attuned to all varieties of love — from friendship to romance to abiding family ties — with her trademark compassion, wit, and literary derring-do. Readers will find joy (and a little terror) and an affirmation that love goes on, even when we cannot.

A gifted young knight named Collum arrives at Camelot to compete for a place at the Round Table, only to find that he’s too late. King Arthur died two weeks ago at the Battle of Camlann, and only a handful of the knights of the Round Table are left. The first major Arthurian epic of the new millennium, The Bright Sword is steeped in tradition, complete with duels and quests, battles and tournaments, magic swords and Fisher Kings. It’s also a story about imperfect men and women, full of strength and pain, trying to reforge a broken land in spite of being broken themselves.

Jane has high hopes that her life is about to turn around. After a long, precarious stretch bouncing among sketchy rentals and sublets, she and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane’s sabbatical, giving her the time and space she needs to finish her second novel — a centuries-spanning epic her artist husband, Lenny, dubs her “mulatto War and Peace.” But things don’t work out quite as hoped. Funny, piercing, and page-turning, Colored Television is Senna’s most on-the-pulse, ambitious, and rewarding novel yet.

September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz’s Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening the residents gather to imbibe the hallucinogenic local liqueur and debate the great issues of the day. Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone — or something — seems to be watching, attempting to infiltrate this cloistered world. Little does the newcomer realize, as he tries to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target.

Barely 30 years old, Mosab Abu Toha was already a well-known poet when the current siege of Gaza began. After the Israeli army bombed and destroyed his house, pulverizing a library he had painstakingly built for community use, he and his family fled for their safety. Somehow, amid the chaos, Abu Toha kept writing poems. Uncannily clear, direct, and beautifully tuned, they form one of the most astonishing works of art wrested from wartime. Moving between glimpses of life in relative peacetime and absurdist poems about surviving in a barely livable occupation, Forest of Noise invites a wide audience into an experience that defies the imagination — even as it is watched live.

Daphne always loved the way her fiancé Peter told their story … right up until the moment he realized he was actually in love with his childhood best friend Petra. Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian, and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any 13-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

Mark Wolfe, a brilliant if self-thwarting technical writer, lives in Pittsburgh with his wife, Sushila, and their toddler daughter. His half-brother Geoff, born and raised in the United Kingdom, is a desperate young soccer agent. He pulls Mark across the ocean into a scheme to track down an elusive prospect known only as “Godwin” — an African teenager Geoff believes could be the next Lionel Messi. Narrated in turn by Mark and his work colleague Lakesha Williams, Godwin is a tale of family and migration as well as an international adventure story that implicates the brothers in the beauty and ugliness of soccer, the perils and promises of international business, and the dark history of transatlantic money-making.

Andy loves Jen. Jen loved Andy. And he can’t work out why she stopped. Now he is without a home, waiting for his stand-up career to take off, and wondering why everyone else around him seems to have grown up while he wasn’t looking. Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend’s side of the story.

When David first hears the Senator from Illinois speak, he feels deep ambivalence. Intrigued by the Senator’s idealistic rhetoric, David also wonders how he’ll balance the fervent belief and inevitable compromises it will take to become the United States’ first Black president. Great Expectations is about David’s 18 months working for the Senator’s presidential campaign. Along the way David meets a myriad of people who raise a set of questions — questions of history, art, race, religion, and fatherhood — that force David to look at his own life anew and come to terms with his identity as a young Black man and father in America.

An unexpected tragedy at a community pool. A family’s unrelenting expectation of victory. The desire to gain or lose control; to make time speed up or stop; to be frighteningly, undeniably good at something. Each of the eight teenage girl boxers in this blistering debut novel has her own reasons for the sacrifices she has made to come to Reno, Nevada, to compete to be named the best in the country. Through a series of face-offs that are raw, ecstatic, and punctuated by flashes of humor and tenderness, prizewinning writer Rita Bullwinkel animates the competitors’ pasts and futures as they summon the emotion, imagination, and force of will required to win.

It’s a blazing summer when two men arrive in a small village in the West of Ireland. One of them is coming home. Both of them are coming to get rich. One of them is coming to die. Cal Hooper took early retirement from Chicago PD and moved to rural Ireland looking for peace. He’s found it, more or less: he’s built a relationship with a local woman, Lena, and he’s gradually turning Trey Reddy from a half-feral teenager into a good kid going good places. But then Trey’s long-absent father reappears, bringing along an English millionaire and a scheme to find gold in the townland, and suddenly everything the three of them have been building is under threat.

When Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place, Jim’s agency, intelligence and compassion are shown in a radically new light.

In 1980, a wealthy businessman named Carl Fletcher is kidnapped from his driveway, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse, and the family moves on with their lives, resuming their prized places in the saga of the American dream, comforted in the realization that though their money may have been what endangered them, it is also what assured them their safety. But now, nearly 40 years later, it’s clear that perhaps nobody ever got over anything, after all. Long Island Compromise spans the entirety of one family’s history, winding through decades and generations, all the way to the outrageous present.

Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.

Dave Win, the son of a Burmese man he’s never met and a British dressmaker, is 13 years old when he gets a scholarship to a top boarding school. Alan Hollinghurst’s new novel follows Dave from the 1960s on — through the possibilities that remained open for him, and others that proved to be illusory: as a working-class brown child in a decidedly white institution; a young man discovering queer culture and experiencing his first, formative love affairs; a talented but often overlooked actor, on the road with an experimental theater company; and an older Londoner whose late-in-life marriage fills his days with an unexpected sense of happiness and security.

David Crader is a has-been. A former child actor from the hit teen drama Rev Beach, he now rotates between his new roles as deadbeat dad, recovering alcoholic, and occasional videogame voice actor. But when David is summoned to Los Angeles by Grace, his ex-wife and former co-star, he suddenly sees an opportunity for a reboot—not just of the show that made him famous, but also of his listless existence. Hollywood, the Internet, and a fractured nation have other plans, however, and David soon drinks himself to a realization: This seemingly innocuous revival of an old Buffy rip-off could be the spark that sets ablaze a nation gripped by far-right conspiracy, climate catastrophe, and mass violence.

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah — a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure. But on the same day that Mamush arrives home in Washington, Samuel is found dead in his garage. Mamush sets out on an unexpected journey across America in search of answers to questions he’d been told never to ask.

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle,where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines.

In 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island’s shores. A young woman living with her father and her sister, Manod can’t shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations. The arrival of two English ethnographers who hope to study the island culture, then, feels like a boon to her — both a glimpse of life outside her community and a means of escape.

Eve is a successful novelist who wakes up one day in a hospital bed with no memory of how she got there. Her husband, never far from her side, explains that she has had an operation to remove the large, malignant tumor growing in her brain. As Eve learns to walk, talk, and write again — and as she wrestles with her diagnosis, and how and when to explain it to her beloved children — she begins to recall what’s most important to her: long walks with her husband’s hand clasped firmly around her own, family game nights, and always buying that dress when she sees it.

One morning in 1519, conquistador Hernán Cortés enters the city of Tenochtitlan — today’s Mexico City. Later that day, he will meet the emperor Moctezuma in a collision of two worlds, two empires, two languages, two possible futures. You Dreamed of Empires brings Tenochtitlan to life at its height, and reimagines its destiny. The incomparably original Álvaro Enrigue sets afire the moment of conquest and turns it into a moment of revolution, a restitutive, fantastical counterattack, in a novel so electric and so unique that it feels like a dream.